If if isn’t personal what the heck is it?

Author Interviews That Rock

 

Kimberley Griffiths Little

WHEN
THE BUTTERFLIES CAME

Here’s to Kimberley’s brand new, beautiful, bayou book! Keep on rocking, girl!

Click the pics for awesome Kimberley links!

Okay, Kimberley, tell the readers a little bit about  your book.

 My darling editor wrote this for the jacket flap, Goodreads and Amazon, and I think it’s terrific:

“Everybody thinks Tara Doucet has the perfect life. But Tara’s life is anything but perfect: Her dear Grammy Claire has just passed away, her mom is depressed and distant, and she and her sister, Riley, can’t agree on anything. But when mysterious and dazzling butterflies begin to follow her around after Grammy Claire’s funeral, Tara knows in her heart that her grandmother has left her one final mystery to solve. Tara finds a stack of keys and detailed letters from Grammy Claire. Note by note, Tara learns unexpected truths about her grandmother’s life. As the letters grow more ominous and the clues harder to decipher, Tara realizes that the secrets she must uncover could lead to grave danger. And when Tara and Riley are swept away to the beautiful islands of Chuuk to hear their grandmother’s will, Tara discovers the most shocking truth of all, one that will change her life forever.

Just to get us started, how old are you?

You can’t trick me into revealing secret, coded information! *wagging my finger* Let’s just say that I’m a few years older than most people think I am . . . which is niiice. I credit Mary Kay skin care products all the way.

What inspired you to write WHEN THE BUTTERFLIES CAME?

I/We have a cultural fascination with butterflies. I think that’s because butterflies are beautiful and extraordinary creatures. Butterflies have this magical ability to “sleep/die” when a caterpillar becomes a chrysalis and then “resurrect” into a flying flower. I also wanted to know more about my character Tara Doucet from my book Circle of Secrets. She’s a modern day Scarlett O’Hara whose family still lives in their crumbling Doucet Mansion in the South along the bayou—and who hasn’t dreamed of being Scarlett! But she’s Scarlett with a touch of OCD and a bratty older sister—and a grandmother who’s a research scientist on an island in Micronesia.

 

 

Do you have a special affinity for the bayou and its rich culture?

I’ve been visiting the bayous of Louisiana for nearly 15 years. I love the people there as well as venturing into the wild and otherworldly swamp with the local fisherman. The people have such a fascinating history, too. Combine my love of history and the setting which spoke to me so powerfully from the very first visit, I’m now an adopted daughter of Miss Olive and Mister Elward Stephens, the most darling elderly couple outside of Morgan City. It was during my very first boat trip in the swamps, that I instantly began picturing Livie Mouton, a girl who grew up there with her own pirogue and baby alligator. I worked on that book for 8 years, a labor of love, until it finally sold to Scholastic in a huge MG deal. And even then, I never dreamed I’d end up writing three more novels about the swamps. It all happened quite accidently by my Muse.

How did you get into Cajun magic?

There was a tiny mention of traiteurs (French Cajun healers) in a history of Louisiana written by a professor at the University of Louisiana. It wasn’t more than a couple of sentences about healers who used herbal medicine back in the 1600-1700s—along with prayer to heal folks. As a person of strong faith, it fascinated me. I spent months/years digging and digging to find out more. Turns out it’s not a lost art confined to that time period when there weren’t doctors and hospitals out in the wilds, but still a living breathing skill used by many trained traiteurs today. I got to meet several of them in their homes as well as meet dozens of people who have been healed by them—people I’d talk to at hotels or museums or gas stations. It seemed that everybody knew a traiteur in the local neighborhood, or was related to one.

You often write about the love between mothers and daughters, why is that topic close to your heart?

Mother, daughter relationships are difficult to explain, difficult to quantify and they are usually complicated. But full of unconditional love, too. We want our mothers to know us and love us and understand us, but we also don’t want them reading our locked and hidden diary!

What about the theme of childhood guilt and its consequences calls to you?

All good books and stories are about change of some kind for the characters. Guilt can be a powerful motivator for ill—or good. It can also be a great catalyst for change in our lives. We all feel guilty about the mistakes or trespasses we’ve made, whether we’re children or adults, and yet we also desperately need to know that we’re still valued and that we’re loved. I believe it’s a universal theme for every age and every person. Forgiveness of one’s self and forgiveness of others is crucial for self-worth and peace and good relationships, and often is the hardest thing we ever have to do.

Do you have a favorite butterfly item, token, belonging?

Oh, my, I have lots. Butterfly blouses, necklaces, candles, charms . . . Here’s a picture!

 

 

How do you get into your characters heads?

I spend a LOT of time thinking about them. I try to get to know them from many different angles; their personality quirks, habits, their relationships with friends and family, their secrets, their motivations, and their problems, big and small. Many writers find it helpful to write diary entries or letters in their character’s voice—I’ve done that, too!—which helps the author get to know them better. It takes time to create a fully rounded character that feels like a real person. For me, it’s THE hardest writing skill and one I’ve spend years learning and honing.

What is most special about your protagonist in WHEN THE BUTTERFLIES CAME?

Tara Doucet’s life is falling apart in so many ways, a life her mother has carefully crafted so nobody knows the family’s “dirty laundry”. And yet, Tara (a modern day Scarlett O’Hara) is stronger than she realizes. Her Grammy Claire is also a strong force in Tara’s life. Grammy Claire loves Tara unconditionally, she’s a smart research scientist, and she has a great sense of humor and vivacity for life. These characteristics have a great impact on Tara and she learns that she is stronger and tougher than she ever knew she could be as a pampered Southern plantation girl.

What made you want to write in the first place?

Great books were a powerful influence on me as a child. They often substituted as my “best friends” and instilled the dream from an early age.

What keeps you writing?

I have good writing days and bad ones and some days I don’t write at all because I’m lazy and the work can be daunting and hard, especially revision. Usually, it’s my characters clamoring for my attention, pushing me to write and bring them to life that keeps me going.

What is the best piece of writing advice you wish you were given?

Writing a LOT (thousands of pages) is the best factor in becoming a better writer. That 10,000 hour rule? Um, it really seems to be the main factor in seeing success. Some writers cram their 10,000 hours into 3-4 years while other writers take 10 years or more. I fall into the latter category, endlessly revising the same manuscripts at the beginning of my writing (self-taught education) – long before I knew other writers or the internet existed. I just wish I’d heard this advice or realized this fact twenty years ago! It would have saved me lots of frustration and head-banging sessions. 

How do you discipline yourself to keep at the writing?

Deadlines are strong motivators, ha! It’s true, but most of the time the disciplines come because I’m eager to see my imagined world and characters come to life on the page.

When did you decide, this is what I really want to do? I want to be a writer! Was there a particular ah-ha moment?

When I was a child. Books were so magical and powerful to me, I wanted to try to create that same magic one day. I also wanted to see my name in the card catalog at the library!

What is the most important thing for a writer to remember?

We’re all born with talent and ability to write, but spend time learning the craft of a publishable novel. There’s so many elements that need to come together to make it work. Don’t be in a rush to get published, it can only make you frustrated. Find a mentor to help you, go to conferences, take classes—and write a LOT. Write a book, do your best work, then write the next book, and then the next. I would say 95% of published novelists out there did not sell their first book, but their 3rd or their 4th. It’s like going to medical school. It takes time to learn to write a publishable book. Never stop learning and trying to improve. And, I guess, the *most* important thing is to enjoy the journey.

If you were to mentor other writers what wisdom would you find most helpful.

I think I may have answered this above. Writers today are very blessed with such a terrific online community of writers and agents and editors who are so accessible to help you along the way. Go find them (Google is your BF) and make friends and have fun. And be flexible. Many writers have to reinvent themselves at various times in their careers—even the bestselling writers! This “dirty little secret” is not talked about much and when I went through a terrible 7 year slump when I couldn’t seem to sell any of my novels (even though I was selling short stories to Cricket magazine) I was so alone and discouraged. Then I discovered other writers in various writing groups that had gone through the exact same *famine*. Every career has lots of ups and downs. Keep going despite all that, if you really want to write.

Do you belong to any cool writerly groups on or off line?

I used to belong to an online critique group and I’ve had live critique groups. Most come and go, depending on the other writer’s in the group commitment, but my one constant writer friend Carolee Dean and I have been critiquing and mentoring each other and giving each other encouragement for more than 10 years now—through many ups and downs. Barbara O’Connor, an extraordinary MG writer from Boston, is also a LONG time “pen- pal”. We’ve been corresponding regularly for 15 years and have never actually met in person. I helped launch the huge MG website “From the Mixed-Up Files . . . of Middle-Grade Authors” and I co-founded SPELLBINDERS, a weekly email newsletter geared to teachers/librarians/parents/homeschoolers. I also hang out a lot on Facebook!

Just for kicks… What are some of your favorite TV shows, movies?

I confess I have a guilty pleasure for HART OF DIXIE. It’s the only TV show I’ve watched in years. But my daughter has been dragging me onto the couch to watch ONCE UPON A TIME the last couple of months. Fun stuff!

If you could be a character from a book who would you be?

Maria Merryweather from Little White Horse because I *covet* her very cool bedroom. (Another favorite from childhood.) or Elizabeth Bennet from Pride &Prejudice because I think I’m just as in love with the Pemberly Estate as I am Mr. Darcy. I definitely have a *thing* for mansion houses, ever since I was very small.

As a child what was your favorite book?

HARRIET THE SPY – and it’s a true fact that my BFF Starr and I got notebooks and ran around spying on people and writing things down. I’m not sure we fooled anybody though.

When you were a kid, what did you want to be when you grew up?

A writer or a librarian. I NEEDED to be near books 24/7.

If your protagonist could give one piece of advice to your readers, what would it be?

Follow the butterflies . . . and your heart.

Is there a special Cajun spell you’d like to share with us?

Those are well-guarded secrets, actually. Information about the prayers (in old French, mind you) and herbal remedies are passed from one traiteur to another. So, since we don’t have that, I suggest using some essential oils, say a prayer or meditate, and you’ll feel a whole lot better – whatever ails you!

 

Other than writing, what do you like to do for fun? Hobbies?

I adore baking all kinds of goodies. Brownies, cookies, cinnamon rolls, pies, cakes. And I can eat them all day long. Used to be able to get away with it in my 20s – not anymore! I’m also a pianist and a belly-dancer. I love research trips and recently returned from Jordan and Israel, research for my upcoming YA trilogy which will debut from Harpercollins Fall of 2014, a delicious story about belly dance, the goddess Temple of Ashtoreth and tribal warfare in the ancient Middle East. (No firm title yet).

Any closing words of wisdom for other author-wannabees out there?

Read what you love. Write what you love. Share the love. And treasure your supportive writing friends.

Leave a comment on butterflies, Cajun magic, the bayou, or anything Kimberley to win a signed copy of WHEN THE BUTTERFLIES CAME!

And there you have it! Personal and Real with Kimberley Griffiths Little!

“Thank you so much for this terrific interview, Pam, and to Ink & Angst for having me!” Any time Kimberley

If if isn’t personal what the heck is it?

Author Interviews That Rock

Julie Cross

TEMPEST
& VORTEX

Click the pics for awesome Julie links!

Okay Julie, tell the readers a little bit about  your books.

Tempest is the first book in a young adult trilogy that follows my main character, 19 year old Jackson Meyer, as he jumps through time (literally), to learn about his past and to try and save the his girlfriend, Holly. Vortex is the sequel to Tempest and it releases in the US on January 15, 2013.

Just to get us started, how old are you?

I’m 32.5 years old

What inspired you to write TEMPEST & VORTEX?

The concept for Tempest came in layers as I worked with my now editor, Brendan Deneen. My idea started with a sort of time travel story that was also about aliens and gymnastics. His idea was to acquire a teen version of The Time Traveler’s Wife. Tempest is a story that emerged from both our creative brains.

Why time travel?

The type of time travel is Tempest appealed to me as writer because I love the idea of having a character revisit moments of his or her own past. The scenes where Jackson visits years that his twin sister, who died of cancer at 14, was still alive were so emotionally powerful to write. That’s probably what made me fall in love with writing time travel.

What made you want to write in the first place?

I started writing in May of 2009. I think I was mostly looking for an escape from everyday life. The kind of escape you get from an amazing book. I read a lot and there were moments when I wanted to change the course of a book. It dawned on me that I could write my own story.

What keeps you writing?

I wish I knew the answer to that question. Once I started, I just could stop. In fact, I waited to get bored with it, to quit, but so far that hasn’t happened. It’s challenging and stimulating in a way that I hadn’t experienced before and I feel like there’s always something more to learn. It’s amazing to discover your passion, even at 29 years old. Truly amazing.

What is the best piece of writing advice you were ever given?

My first instinct is to say, Read a lot. But that’s the piece of advice I often give to writers who ask me this question, but I already read a lot so I didn’t need to hear that particular advice myself. I’d have to say reading Stephen King’s book, On Writing and the part (don’t quote me or anything) where he says something along the lines of, most importantly, you have to write a good story. It just meant that I didn’t need to feel intimidated by the idea of finding big words and creating mind-blowing symbolism and metaphors. Or even understand contracts and the publishing industry before beginning a novel. I just needed to write a good story. 

How do you discipline yourself to keep at the writing?

I only have to discipline myself to up with other aspects of my life…laundry, exercise, grocery shopping, cleaning, my kids’ homework and activities. The writing part so far doesn’t require discipline. 

When did you decide, this is what I really want to do? I want to be a writer! Was there a particutlar ah-ha moment?

When I was offered a three book deal with St. Martin’s Press/Thomas Dunne Books, all I had were questions and confusion and many of them my editor couldn’t answer right away as I searched for an agent, but he sent me an email that said basically, “Just keep in mind, from this day on YOU. ARE. GOING. TO. BE. A. PUBLISHED. AUTHOR” and he wrote it just like that and it hit me that no matter what, whether I wrote forever or not, I’d be known as a published author. That was truly my aha moment.

What is the most important thing for a writer to remember?

There is almost never one clear answer, one clear path, one right way to do anything, to tell any story, and to interpret any story. Open your mind to the realm of possibilities and don’t dwell on the impossibilities and improbabilities and all things that begin with a negative.

Do you belong to any cool writerly groups on or off line?

I’ve recently been emailing with some YA authors that I’ve met at events and doing some beta reading and critique.

If you were to mentor other writers what wisdom would you find most helpful.

I like honest critique, even brutally honest. I’m one who can handle it just fine. But I realize others need to work in phases. I think the idea of being able to pitch a story in a sentence is so helpful to new writers. Even if you figure everything out in your story and it doesn’t quite fit into a one-line mold, chances are you’ve worked out some issues while trying to get it narrowed a bit. It took me such a long time to figure out what it meant to be able to summarize a story in a short statement. Whenever I couldn’t do this, there was always something wrong with my plot. If you can address this even before you begin writing, it could be a huge factor in getting a finished product that can actually be sold.

Just for kicks… What are some of your favorite TV shows, movies?

My current favorite shows are GLEE, Dance Moms, The Voice, Parks and Rec, 30 Rock, Falling Skies. My movie favorites are very all over the place, I almost never go to the theater (just for the big ones like Harry Potter, Hunger Games, Twilight, ect…). I love comedies and I’ll watch any cheesy romantic comedy, even the DCOM and ABC Family ones. I typically write/read edgy, emotionally heavy and sometimes intense thrillerish stuff so that must be why I choose the lighter movie/TV options.

If you could be a character from a book who would you be?

Katniss Everdeen. Hands down. I need her survival skills. I’m assuming while taking over her body, I’d also be allowed to acquire the knowledge stored up in her brain?

Last movie you saw at the theater?

Hunger Games

What is your favorite board game?

Monopoly.

How do you get into your characters heads?

Good question. I’m not sure, but I’m sure that I do get in their heads and become them. I leave myself and my views and opinions completely in the dust.  

What is most special about your protagonist?

For Jackson, it’s his potential to be great, however sometimes I’d have to say that comes in second to watching him fail in the process of reaching his potential. It took me a while to realize how much I wanted him to experience the struggle to be great just as much as I wanted to see him get there.

Do you listen to music while you write? If so what gets you motivated?

I usually don’t listen to music, but I could if I wanted to. I’m pretty relaxed about my writing place and time. I can shut out the world around me even if it’s quite hectic.

Other than writing, what do you like to do for fun? Hobbies?

Reading. I also love running. I’m really great at it but it brings a different challenge and a lot of clarity within the creative part of my brain.

When you were a kid, what did you want to be when you grew up?

A teacher. Always a teacher. But the type of teacher changed constantly.

If your protagonist could give one piece of advice to your readers what would it be?

Always prepare for the worst. Write everything important down in notebook that you always have on you.

What would your villain/villains have to say about that?

Well…I suppose they would support this advice fully. They are very intelligent and capable people. Unfortunately.

Any closing words of wisdom for other author-wannabees out there?

Enjoy the freedom of writing just for you even if publication is your end goal. If you enjoy reading books in your genre and you create a story that you enjoy reading there’s a good chance other people will like it, too.

And there you have it! Personal and Real with Julie Cross!

Check out Tempest & Vortex on Goodreads-http://www.goodreads.com/book/show/13364300-vortex

“Surround yourself with people who know more than you and soak up knowledge like a sponge!” P.K. Witte

 

Love is in the air…

Sweet kisses, soft caresses, sighs upon angst-filled teenage sighs. Writing romance is natural, easy, simple, or is it? Gate Crashers everywhere want to know how YA and MG writers get their heads in the game. That first kiss, second base, under the shirt-over the bra, or going for the home run… How do you write it when just thinking about it makes you blush and go all sweaty palms?

It’s easy, super simple. Just do what I do. Grab your best romance writerly hat, your giant pencil and your paper…

What? Not feeling it? Me either.

Writing romance can be tricky. Luckily for Gate Crashers everywhere a group of amazingly talented writers were happy to share their feelings about writing the ROMANTIC STUFF with us!

Come on in, have a look around, have fun, learn something that just might help you with your own sloppy teen kiss scenes. Remember, keep it real. Be honest and true to your readers and they’ll love you forever.

Happy Valentine’s Day!

Click the pics for these author’s writerly links!

  

Chelsea Pitcher

THE S-WORD

1. What is the most challenging romantic situation you’ve had to face with your characters? I’ve always really enjoyed writing complicated romantic situations: faeries of the Dark Court falling in love with humans; mortals becoming entangled with gods. It’s not so difficult to bring these characters together. After all, they know their love is real. It’s the rest of the world that doesn’t get it. But when it comes to two emotionally damaged humans who are masters at sabotaging their own happiness, the task becomes a bit more difficult. (Or nearly impossible!)

2. How did you get your head in the game? In “The S-Word” I found myself facing my most difficult romantic/emotional situation yet. How do I get a girl who’s closed herself off from the world to open up, even a little bit? I wasn’t looking for her to have a full-blown love affair; I just wanted her to remember that love exists. But to do this, I had to introduce her to the right kind of person. I couldn’t push her toward someone confident and invulnerable. That was exactly the type of person who’d hurt her before. I needed someone with his own deep-seated problems, someone who wanted friendship and nothing more. That way, Angie didn’t have to fear being used or manipulated. She could feel safe. And, just like that, a deeper connection was formed.

3. What is your favorite romantic book/scene from a book?There is a scene in “Aristotle and Dante Discover the Secrets of the Universe” that is just perfection (though I’m not going to say when, or with who, for spoilery reasons). The kiss! Perfection. There is so much more than just physical chemistry at play (although that can be a lot of fun too!) There is sweetness, and desire. There is longing bleeding into necessity. No matter how many fabulous love scenes I read, this will always be one of my favorites.

 

 

 

 

 

 

 

 

Mindy Raf

THE SYMPTOMS OF MY INSANITY

1. What is the most challenging romantic situation you’ve had to face with your characters?

Without giving too much away, there’s one scene that could be romantic, but ends up being really awkward and a little skeevy psychically and emotionally. It was a challenge to keep it funny and squirm- inducing. Also maintaining likability with a character when the action goes from swoon-worthy to a little shady is always a challenge.

Sarah Skilton

BRUISED

1. What is your favorite romantic book/scene from a book?

I adore the scene in Jane Austen’s Persuasion when Captain Wentworth presents Anne with a love letter he’s written, prompted by a conversation he overheard in which Anne spoke about women’s ability of “loving longest even when all hope is gone.” It’s the culmination of 8 years of longing on both their parts, and the scene never ceases to make me sigh and/or tear up.

K.A. (Kelly) Barson

45 POUNDS (MORE OR LESS)

1. What is the most challenging romantic situation you’ve had to face with your characters? Overall, romantic scenes–both in real life and in stories–make giggle awkwardly. (Yes, deep down I’m still twelve.) So pretty much every romantic scene I write is challenging.

2. How did you get your head in the game? I think about what could possibly go wrong. I add catastrophe to the scene to add real humor and to diffuse my inappropriate giggling.

3. What is your favorite romantic book/scene from a book? Since I relate more to awkward romance, probably LOOKING FOR ALASKA by John Green or STONER AND SPAZ by Ron Koertge. Is it a coincidence that neither of these ended “happily ever after”? No. I’m weird, I guess. 

Elle Cosimano

NEARLY GONE

1. What is the most challenging romantic situation you’ve had to face with your characters? In one of my stories, the love interests can’t touch. Trying to capture the sense of intimacy between them without falling back on physical connectedness meant getting deep in their heads and hearts. It was exhausting, but a fantastic exercise in interiority.

2. How did you get your head in the game? Music helps me set the mood. Also, a good babysitter.

3. What is your favorite romantic book/scene from a book? No contest. Sarah Rees-Brennan wrote the hottest kiss scene I’ve ever read, hands down! The rooftop kiss in the rain in The Demon’s Covenant will forever set the bar as far as I’m concerned.

 

 

 

 

 

 

 

Chelsey Flood

INFINITE SKY

1. What is the most challenging romantic situation you’ve had to face with your characters? I think the most challenging romantic situation I’ve had to face with my characters is when Iris and Trick begin opening up to each other. I wanted to make their relationship about friendship as well as first love, and so I was always trying to keep the balance between confiding and intimacy and romance. I wanted them to be good friends before they ventured into the territory of kissing. I hope I got it right.

2. How did you get your head in the game? I got my head in the game very easily – perhaps worryingly so! Because my protagonist, Iris, is a sort of idealized version of teen me, I find it very easy to get into her head space. I simply remembered my teen crushes, and then wrote the scenes that I would have loved to have played out with them – if only I’d have dared initiate a conversation with them in the first place! That’s what’s so lovely about Trick – he actually moves into Iris’s garden – he really couldn’t make it any easier for her at all. Or so it seems…

 3.What is your favorite romantic book/scene from a book? It’s a bit obvious, but I’m struggling to remember any that I love more, so therefore, my favorite romantic book is Pride and Prejudice. The way that Mr Darcy and Elizabeth Bennett misjudge each other, and hurt each other’s feelings before finally coming to understand each other (enough to get married at least!) is quite, quite satisfactory.

 

 

 

Kit Grindstaff

THE FLAME IN THE MIST

1. How did you get your head in the game? The Flame in the Mist’s main character, thirteen-year-old Jemma, has a budding romance with her loyal pal, Digby. Though it’s years since I was her age (though not quite as far back as the book’s medieval-ish setting), getting into her emotions wasn’t hard; a quick trip down memory lane to a specific day, a specific boy, a specific moment…I’d be there in a heartbeat. Keeping in mind the prescriptions for Middle Grade—no steam, nothing that pushes the boundaries of adolescence—once I started molding my experiences into Jemma’s, words made memory even sharper: a gasp-worthy glance, tentative hand-holding, the anticipation of a first kiss…Describing those things made them fresh all over again—hopefully as much for the reader as for me. So to get into the game? Close eyes, drift away, remember the sweetness, then paddle ashore and seal it—maybe with a kiss—onto the page.

2. What is your favorite romantic book/scene from a book? Before I Die by Jenny Downham… With only a few months of life left, sixteen-year-old Tessa…(has) made a list… —ten things she wants to do before she dies. Number one is sex. Starting tonight. The blurb of Jenny Downham’s Before I Die almost put me off, since the “starting tonight” makes it so obviously a marketing hook. Sex sells. But the book delves far deeper than its blurb implies. Beautifully written and moving on every page, the development of Tessa and Adam’s relationship is just part of the emotional ride, weaving sweetness into a painful story. To go into detail would be spoiler-ish, but more tender, loving and extraordinary scenes would be hard to imagine.

 

 

 

 

 

 

 

                                                                     Janci Patterson

CHASINIG THE SKIP

1. What is the most challenging romantic situation you’ve had to face with your characters? For me, all romance is hard to write. It’s not easy to write attraction that feels real, without falling back on clichés or being overdramatic. Romance is drama, but it has to feel compelling and fresh to the reader, so that they’ll fall in love right along with the characters. It’s always a careful balancing act.

2. How did you get your head in the game? In CHASING THE SKIP, the most challenging part of the romantic tension was for me to write Ricki’s immediate attraction to Ian–and have the reader take her seriously. The first time I wrote the scene where Ricki first meets Ian, it was terrible. I ran it through my writing group, and they pointed out all the places where I was telling the reader how Ricki felt instead of showing it with visceral detail, and all the places where the phrases I used were tired or unimaginative. So I went back through and tried to replace the overdramatic with the dramatic, the cliché with the sensory, and the tired with the fresh. It took several passes for me to get it right, but when I was finished with the final draft of the scene, I was pleased with it. I suppose that’s always how I get my head in the game: I fail in the first draft and then rework and rework until it shines.

Polly Holyoke

THE NEPTUNE PROJECT

1. What is the most challenging romantic situation you’ve had to face with your characters? In THE NEPTUNE PROJECT my heroine Nere finally gets to kiss Cam, the boy who has always been her best friend. I wanted to explore that moment when friendship can turn into something deeper, when HE finally admits he really cares about her, and SHE finally wakes up and realizes that she might truly love him. But just when Nere gets into kissing Cam, government soldiers charge down a hillside, and moments later they cut Cam down. Poor Nere doesn’t even know if Cam is going to survive as she has to leave the beach and enter the ocean forever.

2. How did you get your head in the game? I tried thinking back to my first kiss (ninth grade while off stage during a musical) but it was WAY too wet and clumsy to be an inspiration for a great first kiss. So, I fell back on my imagination and wrote the kind of kiss I wish I’d experienced that first time around.

3. What is your favorite romantic book/scene from a book? I love OUTLANDER by Diana Gabaldon, and that book is so full of romantic scenes, it’s hard to choose just one. I probably like the scene when the time traveling heroine tries to return to the present, but she can’t leave Jamie, the young highlander she’s fallen in love with in the past. When she returns to him, prepared to stay with him forever, he’s fallen asleep in an abandoned croft, and it’s clear he fell asleep crying. That sweet scene makes me tear up just thinking about it!

 

 

 

 

 

 

Liz Fichera

HOOKED

1. What is the most challenging romantic situation you’ve had to face with your characters? Every romantic situation is a challenge unless you understand what’s in the head of your characters. I think the biggest challenge is the detail, and the best romantic scenes are the ones of subtleties. They’re the ones with a lot of lead-up, conflict and tension before the couple shares that special first kiss, that special first anything. As a reader (and writer), I don’t want the mechanics. I know how it’s done, for crying out loud. I want to understand the emotion and angst behind the build-up because that’s where the intrigue, the compelling reason to keep turning the pages, reside. In other words, I don’t want to read how they kiss or roll in the hay; I want to understand and be shown why they want more than anything in the world to be together.

2. How did you get your head in the game?Music is key. I love New Country for their love songs. Every song tells a little story, and I love that.

3. What is your favorite romantic book/scene from a book? I adore and respect any author that gets me emotionally invested in his/her characters and writes great angsty build-up while still leaving a little for my own imagination. Yes, please.

Hilary Weisman Graham

REUNITED

What is the most challenging romantic situation you’ve had to face with your characters?

Well, I’m about to face it in the new MS I’m writing. It’s a light sci-fi that features a romance between two teens of different races, both of whom have pressure from their families and/or communities to “stick to their own kind.” The romance part will be fun when I get to it, it’s writing the racism in their backgrounds that’s agonizing.

How did you get your head in the game?

When I’m writing a romantic scene, I find myself getting totally get wrapped up in the romantic tension. I think all authors vicariously experience their characters’ emotions, but as an old married lady, it’s especially nice to feel all swoony and starry-eyed again.

What is your favorite romantic book/scene from a book?

There are so many great romances in books, but I have to say that I’m partial to the ones that end tragically, like in John Green’s THE FAULT IN OUR STARS or LITTLE CHILDREN by Tom Perotta. Though I’m not quite sure what this says about me psychologically.

There you have it! Thoughtful words of wisdom on the craft of writing romance for the youth reader. Is it simple, easy? Not exactly. But it is possible and fun and really makes you get your head in the game. Try it. Keep it real. Be true to your readers. Just do it.

Spread the love of reading and writing!

Happy Valentine’s Day!

One of the most useful forms I’ve used to jumpstart my understanding of a character or a situation is the “How-To” form. It’s exactly what it sounds like and chances are you’ve written variations of it before naturally. I pull out the How-To when I need to explore something my character knows really well. It’s typically something that doesn’t make it into the manuscript as it’s written but it informs me of how my character sees the world around them.

For example, the MS I’m working on now has a main character that has grown up with an alcoholic mother. There is a point where she encounters an eight year old girl who lives in similar circumstances and I realized at that point that I needed to outline for myself what those circumstances would be. So I wrote a How-To.

“How-to put your drunk mother to bed.”

“First you have to search her bed for hidden bottles. You don’t want her to roll over in the night, send one in motion and you wake to the sound of glass shattering on hardwood. She will probably pass out before her shoes are even off her feet.

You will need to undress her. By the time you’re nine, you’ve seen your mother in every bra and panty set she owns. You quickly find that this is not like playing dress up with your dolls. The dead weight of your mother strains your muscles. It pains you for days afterward.

After you’ve removed her shoes and socks, the easiest part of the routine, you have a choice. You can either work from the top down or bottom up. Her shirt will have stains on it. These will range anywhere from tequila to vomit. Her jeans will have stains on them too. Urine. Vodka. Spit. Mud. You will know the correct way to launder them by the time you are eleven.

The trick to getting her jeans off is to take it one leg at a time. Undo the button and zipper, pick a leg and pull on the hem until it starts to shimmy down her hip. Ignore the piece of paper with the number of some guy named John or Pete or Mike that will fall out of the pocket.

Move to the other leg and pull at the hem until it also starts to shimmy down her hip. Alternate left and right until they are at her knees, at which point simply pull as hard as you can and they should slide the rest of the way off as if greased.

Don’t worry if the backs of her legs hit the floor hard enough to bruise. She’ll think it’s something she did at the bar.

Next you take off her top. The ease of this all depends on the type of top she has chosen for tonight. It’s not until you are ten that you realize if you suggest she wear a certain shirt before she goes out, the easier time you’ll have in the early hours of the morning.

You pray the top is a button up, so that you can simply undo the buttons and slide the shirt out from under her. If not you have to grasp under her arms, lift her so that her torso is upright against you and quickly yank her t-shirt up over her head. Pay no attention to the hickeys on her collarbone and along the slopes of her breasts.

There will be no reason to change her underwear unless they’ve been soiled in some way. By the time you are thirteen you’ve seen them soiled in every way. If her panties are in need of a change you can decide to clean her up or leave her as is. By the time you are thirteen you always leave her as is.

Pull an old t-shirt of your dad’s out of a dresser drawer. She’ll complain about waking up in one, but when she thinks you aren’t looking she’ll rub the fabric against her face.

If you’re lucky, she’ll realize she’s cold and wake up a little. If so, you take advantage of her confused state to stand her up, slip her shirt on and walk her to bed. If not you have to grab a pillow from her bed, slip it under her head and lay a blanket across her. You will turn her so that she is on her side, in case the poison wants to climb itself up her throat.

You will realize that it was the tender age of eight when you first understood what your mother is.”

By writing the How-To I felt I had a better grip on the life my character was living prior to the story I’m telling. It just gave me an outlet to further explore her and her relationship to her mother so that I can implement that in the story going forward. If you’re looking for a writing exercise, give this a try. You can write as your character or perhaps even about something you yourself know how to do, just to see how the form feels. Just another tool for the toolbox!

Getting Real With Real Authors

If it isn’t personal, what the heck is it?

Author Interviews That Rock!

Miriam Forster

CITY OF A THOUSAND DOLLS

Click on the pics for Miriam’s excellent writerly links.

HERE’S THE BLURB!

Nisha was abandoned at the gates of the City of a Thousand Dolls when she was just a child. Now sixteen, she makes her way as Matron’s assistant on the grounds of the isolated estate, where orphan girls are apprenticed as musician, healers, courtesans…and assassins. Only when Nisha begins a forbidden flirtation with a handsome young courier does she let herself imagine a life outside the city’s walls. Until, one by one, girls around her start to die.

And We’re Off!

Just to get us started, how old are you?

Ten years away from being the answer to Life, the Universe and Everything. (Lauging and grinning ear-to-ear )

What inspired you to write CITY OF A THOUSAND DOLLS?

A single line in a book about Guinevere that referenced her being groomed for someone. The idea of an entire city where girls were groomed for different places in society took hold of me and wouldn’t let go.

Are you drawn to murder mysteries?

I’m a huge Agatha Christie fangirl and reread a bunch of them every year. Also Sherlock Holmes. I used to be much more into contemporary mysteries then I am now, and I still have a special place in my heart for the genre.

What made you want to write in the first place?

A computer game. No joke. In high school I had a game called Heroes of Might and Magic III. It was a turn-based strategy game where you built your army and collected resources and fought random groups of monsters as well as other players. I didn’t actually PLAY the game very much, but I bought it because it had a fantastic map editor. You could build an entire fantasy world from scratch, with castles and dragons and sirens and treasure. So I built this whole world and then I thought. “I should write a story about this.”

What keeps you writing?

Partly the love of what I do, but also belief. I believe very strongly that the right words and the right story can do amazing things, can heal and inspire and comfort and challenge. The world is pretty messed up in a lot of ways. Writing might not be a lot to give, but it’s what I have. (It’s a whole universe of great stuff to give, my friend.)

Your cover art is gorgeous, how did you feel when you first saw it?

I was stunned. It was so far beyond anything I’d even imagined and it was totally different then what I was expecting. But the more I looked at it, the more I fell in love. I love that the girl is present, but not the whole cover, and I love how strong and awesome she looks. And I love that she looks like my main character too.

What is the best piece of writing advice you were ever given?

“Write another book.” It’s advice that’s saved me so many times while I was querying because it takes the pressure off. Plus you learn things from a new project that you would never learn in revisions. I wrote four books between writing City of a Thousand Dolls and selling it, and every book taught me something that I could take back to City and use to make it better.

Do you belong to any cool writerly groups on or off line?

I’m a member of the Lucky 13ers, an awesome group of fellow debut authors, and I’m lucky enough to get to hang out with the wonderful writers at the Enchanted Inkspot blog as well. I have some awesome critique partners here in Boise too.

 

Just for kicks… What are some of your favorite TV shows, movies?

I love pretty much any show that starts off with a shot of a dead body: NCIS, CSI, Bones, Castle. Criminal Minds is my favorite, which worries me sometimes. And BBC’s Sherlock, of course. I was really into Doctor Who for a while and still want to get caught up, but the angst in season six was KILLING me. I can do murders, but not tons of angst. As a general rule, I’m much more into TV shows than movies, with a few glaring exceptions.

Last movie you saw at the theater?

The Avengers. For the second time. (This is one of the glaring exceptions I mentioned before.) And if you get me started on how much I love that movie, this will turn into a shameless fangirl post. J (Let’s all join the “Shameless Fangirl Club!”)

What is most special about your protagonist?

Nisha was an interesting person to write. I love a good kick-ass fantasy heroine, but that’s not what I wanted for this book. I wanted to write a girl who was insecure and made mistakes and had emotions and attachments and lapses of judgment. But she’s also independent and determined to protect the people she cares about. I see her arc as going from someone who’s uncertain and afraid to someone who can confidently step forward and put everything on the line for someone else. I don’t know if I succeeded, but that’s what I was trying to do. (Beautiful character arc, one we should all strive for.)

If your protagonist could give one piece of advice to your readers what would it be?

“You can’t change what’s been done, no matter how much you want to. But you can move forward.”(I love this because it holds true for everyone everywhere.)

How about your villain? What advice would he/she give readers?

 “Some people are more important and special than others.” (Villains give bad advice.)

Any closing words of wisdom for other author-wannabees out there?

My writing advice is simple: write for love and keep writing.

My publishing advice is this: Never pay an agent upfront (agents are paid after they sell things.) And never trust a “traditional” publisher who asks for money. Writers have more options than they’ve ever had, which is great, but you need to be educated. And be careful. There are a lot of scammers out there.  I recommend Writer Beware and Preditors and Editors as good resources.

http://www.sfwa.org/for-authors/writer-beware/

http://pred-ed.com/ 

(Great recommendations. Let’s stay safe and aware!)

And there you have it! Personal and Real with Miriam Forster

Please show your writerly love and leave a comment for Miriam(or Gate Crashers)

“Surround yourself with people who know more than you and soak up knowledge like a sponge!” P.K. Witte